Wednesday, January 11, 2012

ANACHRONISM



On the radar of today, I'm a blip,
Conspicuous, an odd man out.
Sticking out like a sore thumb
From the hand of this aeon and age.
On a sinking iceberg, I'm the tip,
Struggling to survive, somehow afloat;
A broken guitar string that can't be strummed;
In a world of white, I'm all beige;
Crusty, like an ancient book's page.

I'm the elaborate satin ball-gown,
Surrounded by denims and lace.
Where women lead, a man I need,
To hold me closer, to set the pace.

I'm the sheet music of forgotten melodies,
In a time when lyrics are not sung, but spoken.

I live in the past, in my distant memories,
With a voice unheard, my heart yet unbroken.

NEW YEAR'S EVE


Starting the new year with a new post. Happy New Year, everyone.



Sunset bathes the sky in red.
Perfumed women in silk gowns
Walk out, perfect, bedecked -
They're ready to go on the town.


Joyous music fills the air.
People feet start tapping, dancing.
Every man has a woman, a pair,
And time for loving and romancing.


Fireworks fill the dark skies.
Happy greetings break out all around.
The colors and lights caress our eyes.
All old pains lost, a new hope found.

Wednesday, December 21, 2011

I LOVED YOU YESTERDAY



All the love songs were mine to sing,
The world belonged to me completely,
I looked forward to the joys life would bring,
And it was just us, together, you and me.
But that was yesterday, a long time ago,
When I thought you were mine, and our love was true,
When there was no jealousy, hatred and ego, 
And when I still worshiped everything about you.


Time flew when we were together.
Flowers blossomed with your touch.
We were two peas in a pod, together forever.
And my heart was in love and happy, very much.
But that was yesterday, when everything was perfect,
When our world was rosy, and you still loved me.
When we hadn't had the time to think or reflect
That it was a farce, how unsuited were we.


All the wrongs seemed so right,
All the troubles seemed to be molehills. 
Mornings were wonderful, so were the nights - 
I can feel your every kiss, every caress, still,
Though that was yesterday, a long time ago,
When you and I were friends and lovers.
The love of yesterday, a bitter memory from before,
Still remains, cold, untouchable - everything's over.

Thursday, July 21, 2011

I TURNED AWAY FIRST



You're miles away one moment,
Unreachable, unapproachable, lost to me.
The next, you're right beside me,
Like that's where you really want to be.

You're there even before I realize
That you're everything I need.
I know you care for me deeply,
Yet you don't mind watching me bleed.

You know you don't need me,
Yet you never make a move to leave.
You're a bundle of contradictions -
Knowingly so, I sincerely believe.

You say kismet conspires endlessly
When she smiles, touches for mere seconds.
We spend hours together, laughing, talking,
It's not kismet, it's not a mere coincidence.

Our eyes met today, did you even notice?
A moment when no words were required.
I turned away first, hoping you wouldn't see,
My heart beating there, weary, hurt, tired.

Thursday, June 16, 2011

I TRIED... AND FAILED



Very, very soon, I'll see your happy face again.
You'll be welcoming me back with open arms.
Back to talking for hours about everything and nothing,
Back to trying so hard to be immune to your charms.


I tried so hard to stay away from you.
I thought out of sight meant out of mind.
But distance makes the heart grow fonder;
Nothing can cut through some ties that bind.


Stupidly I believed I wouldn't miss you.
Hoped fervently I wouldn't miss your voice,
Your long-lashed eyes, your sweet smile. 
What can I do, looks like I don't have much choice.


Am I equipped for the onslaught of... you?
Can I live with the fact that you're not mine?
Can I handle the force of your wonderful warmth?
Will you see through my act that I'm just fine?


You could keep telling me I'm nothing but a friend.
I am listening, I promise. I am definitely listening.
You probably think nothing's wrong, everything's just peachy,
And you'll be too busy to note my eyes, with tears glistening.


It's probably all just a joke to you, isn't it?
Someday you'll show my picture to your next best friend.
You'd say, "This girl used to be crazy about me."
You wouldn't know you were on my mind till the very end.


Silly me, I told myself to stop thinking of you.
Like that would even work, what a joke!
Thought I'd get over you when I'm away.
Thought I'd fall for the next random bloke.


But you were everywhere, omnipresent.
A place, a movie, a word, a song
Would bring back all those memories we ceaselessly made.
And then I would pine, I would yearn, I would long.



I tried to move miles away from you and forget you.
I tried to pretend you didn't mean anything to me at all.
I tried to stop believing you didn't make the sun rise and set.
I tried so hard, and failed, to put up that barrier, that wall.

Thursday, September 30, 2010

ACTIVITY FEED


I'm going to keep this on my blog. We thought of using my blog to demo social plugins to some people, and Sridhar Seshadri put this into my blog temporarily, but I don't feel like removing it now. I'll keep this as a souvenir.



Monday, July 5, 2010

CD COVERS - A GALLERY


This gallery of LibriVox CD covers will be updated as and when I make new covers, and so will be on top of all my posts at all times. 

To find my latest blogposts, please scroll down to below the gallery.

To download the CD sleeves, please click on the book title and you will be redirected to the audiobook page, where you can download the respective audiobook and the CD cover. 






































Christmas Carol Collection 2009
 



When Mother Let Us Cook












 







The Orange Fairy Book


COMING SOON


People Like That
Elsie Dinsmore
Holidays at Roselands
Bunner Sisters
Agnes Grey

Gallery last updated on 5th June, 2010. 08:03 PM


Sunday, June 20, 2010

THE BEST MANGO



Dedicated to Kavitha.


When I was a little child, about five to six years old, my grandmother taught me the proper way to eat a mango.
"First, you enjoy the smell of the mango. Like this." She kept the fruit a little distance apart from her nose and inhaled. She closed her eyes, savoring the sweet smell that could belong only to a very ripe mango fruit.
"You don't cut the mango with a knife or anything," she said softly. With me sitting on her lap, watching her face with unblinking concentration, she used to demonstrate to me how to truly enjoy a mango, her wrinkled face breaking into a maze of a thousand crisscrossing lines, as she smiled tenderly down at me.
Her thumb would first poke into the soft exterior of a mango, making a small hole. And then the yellow juice would flow out of it, as the rest of her fingers squeezed the mango, just a little bit, the juice oozing further and further out. And then she would pick the mango up, put it near her mouth and suck a little of the juice from that little hole she'd poked on the surface.
And then her eyes would close, as if she was feeling ecstasy, amazement, wonder at the sweet taste bursting into her mouth. And I would wonder why and how she looked much younger when she got lost that way.
Then, her fingers would poke into the hole to widen it, bigger, bigger, till the mango rind broke farther and farther apart to expose the dark yellow interior of a good, ripe mango fruit.
The smell emanating out of the now completely open fruit would drift to our already sensitive nostrils and envelop us both, touching, teasing, playing with its light fingers.
Somehow, a mango's smell is never overpowering. An orange could send out a strong citric odor, like all other citrus fruits, but a mango never dominated a room with its smell. It was an interesting odor, yes, it was powerful, definitely, but it was never overpowering. No, it was subtle, it was light; like it was there, but still not quite there. 
Once you're done breathing in the fresh smell of a ripe mango, the very next thing you'd want to do would be to bite into it. 
But that wasn't how my grandmother went about it.
She would slowly scoop out a little bit of the flesh of the mango with her fingers and pop it into her mouth. Her tongue would peek out to take in the juice stuck to her lips, as if it were too shy to enter her mouth, and her tongue would dart out to take in everything. And then she'd close her eyes again, as if she didn't want anything to disturb her pleasure in experiencing the sensuous assault on her senses.
And then she would lick her fingers slowly. 
And then she'd scoop out a little more of the flesh out of the mango.
If watching her was exhilarating, mimicking her was explosive. I learned to close my eyes, and focus. I learned to enjoy every other thing the same way, and not just mangoes - chocolates, for instance. And soon, I was able to extend the experience to other things, things that affected my other senses. Music. The smell of scented candles. Sex. I was able to focus on what every enjoyable thing was doing to me, and I was able to allow everything to touch my inside, deep inside of me, my very core. I was able to turn every little thing, every little experience into something close to a mental orgasm.
My grandmother had taught me not only to get the full essence from a mango, but also to choose well.
"You press, see, like this," she would show me. Her thumb would pressurize, very mildly, on a spot on the mango's skin, and when she removed her thumb, the spot would be dented. She knew by the touch and feel of the spot, its sensitivity to the pressure, that it was a good mango and worthy of her attentions.
But this wasn't the only step to picking the best mango, of course. "It's always safe to indulge your olfactory senses," my grandmother would say. "A mango that doesn't give out even a little of its pleasant odor won't taste half as much. No smell, no taste. It won't be a mango, it would be yellow sawdust."
She taught me how to not develop any preconceived notions from what a fruit looked like. "Don't be fooled if the skin is green," she would say, nodding wisely. "Some of the greenest mangoes have the insides of the deepest yellow you've ever seen, like glowing topaz or amber." I was disabused of any prejudice or the ability to judge a fruit by testing it shallowly. 
It is strange how more than half of the lessons of life my grandmother taught me revolved around mangoes. I could distinguish one mango from another, and that taught me that if one mango had a positive quality, another mango had another. "You cannot expect the same taste or smell from all the good varieties, or from even all the good mangoes of the same variety," she would say. "Each mango has its own strength." I couldn't help noting that she didn't even bother to comment on the mangoes that smell and taste like sawdust.
"Trust your instincts," she said. "If a mango passes all your tests, but you're still not sure if it would be juicy or ripe enough, go by what you feel." 
I knew she expected me to apply this to not just mangoes.
"The most important thing you must remember is," she had looked right into my eyes now, "you should never regret picking a mango. And if you'd gone by your instincts, you've still picked an agreeable mango. Never blame yourself - or the mango - if you don't get what you expect in terms of taste. After all, if it didn't smell good, it would never have passed your preliminary test."
She always let me pick my own mangoes. And all the choices I've made, have always given me the ripest mangoes. 
She smiled at me every time I cast a triumphant look at her. 
"I see you've got the luck. Whatever you do, you'll always inadvertently choose the best mango of the lot."
Somehow, this moment between us always sprang to my mind whenever I blotched up something or felt like a loser, a failure in life. 
"Whatever you do, you'll always inadvertently choose the best mango of the lot."
The seriousness with which she said this almost made it sound like a blessing. Or even a prediction. It was as if she had acknowledged a talent within me. Or, as if she had entrusted something in me, she had passed on a legacy, something her ancestors had given to her, something she expected me to pass on to my successors.
I always believed my choice was great, though not in the beginning, at least in the long run. I was able to stubbornly stand up for my choices, my ideas, my beliefs. My faith in my choice was firm, and it was as if this faith induced a magic that turned even a failure into a success.
It was a long while before I had the time to ponder on these words and get the hidden meaning. My grandmother had been long dead by then, and what she had tried to communicate to me had been so much more than I had extracted from that simple line. 
By making me believe that I'm lucky, she had given me the confidence that any mango I picked was the best mango, because I had picked it, and it was my choice for myself - even if I discovered later that it was not so ripe or not so yellow or not so juicy. It was still my choice, the road I had taken.
She hadn't encouraged me to throw away a less satisfactory mango and go ahead with my next choice. I never ran away from my choices if they didn't fulfill my expectations, because she had taught me to derive the best out of even an unsatisfactory mango. She had wanted me to give the mango a chance, to appreciate its finer qualities. She had taught me to put a mango to rigorous test, and once I had picked it, to be stubborn and sure that that was it. I was to take it easy, to enjoy the specialty of the mango, whether it was its exquisite sweetness or its overwhelmingly sour taste. She had taught me to pick a mango and find it wonderful, and not think, "If only I had picked that obviously very ripe, yellow-orange fruit that was lying to the side..."
She had taught me a handy method of arresting moments. Of adding to a moment's beauty by associating it with something special - a smell, taste, sight or touch. She delighted in little things, and it was her ability that delighted in mangoes that taught me to enjoy my life, to cherish each moment, each experience that came my way.
She had taught me to take pride in my choices, to live a life without regrets. And to go for the best mango, no matter what.

Sunday, June 6, 2010

ALMOST THERE



I'm almost there,
Almost ready to tumble down the cliff
Of greatness, of ecstasy, of wonderment,
The cliff above which I right now stand.
I'm almost there,
Almost ready to fall of the edge
Of sweetness, of sanity, of that monument
You've built for me, a castle on the sand.
I'm almost there,
Oh, take me there, and make me fall
And make me laugh and cry and yearn
For more.
Oh, lead me on, come on, it's your call,
And make me moan and groan and turn
Into the tigress I'm not, the panther I've never been,
Touch my very core.

This isn't finished yet, but I'm not writing more of this. I think I'm done.

SOME SILLY QUESTIONS AND MY SILLY THOUGHTS


1. Why is everyone brainwashing kids that the course/career they choose is a BIG step and that it's LIFE and all that? 

That's totally stupid. It makes making the choice a chore, takes the joy out of walking on a desired path. I hope no one I know stuffs such stupid ideas into a kid's head. It weighs down on the kid's shoulders, forcing them to grow up. But really, NOTHING IS IRREVERSIBLE. And nothing is SO important that it can be called your life, certainly not your career. Don't we know many people who choose something first, decide it's not what they want to do for the rest of their life and take up something else later? I know we need the money, but still, we don't need more money than we need at the expense of our happiness. I don't want to look back on my life and think, "Sure, I earned a lot, made a lot of money, but still I never got to dance in the rain or smell the roses or learn to play the guitar..." 

2. Why do people save so much of money? 

I don't even want to express my thoughts on this one.

3. Why do people get so embarrassed when something funny happens? 

I used to get embarrassed so easily myself. Sure, people tend to laugh, find it very funny, and possibly even remember you by one of your silliest incidents. A couple of people at my university never did manage to remember my name, but always remembered me as, "the girl who bumped into the NO PARKING notice." It's very embarrassing, yes. It's not as if you can take back what happened by being embarrassed about it. And it's not as if the people who don't even know you really have the time to dwell on the incident and form opinions about you. Everyone's busy with their own stuff. So they turn and look at you, so what? Big deal. 

4. Why do people find it funny when someone else is embarrassed?

I guess it's one of the weird things about the human animal.

5. Do humans need a special sense of humor to laugh at the inconsistencies and hypocrisies and all that's weird about humans, and finally, at themselves?

Not just that, it sure needs some growth and development of the mind. Retards can't do that.

Sunday, May 30, 2010

MIST



The pale blanket
Covering your perfect form
Tantalizes, teases -
I know what I want to see
Is right underneath;
The clean jacket
On nakedness, as the day you were born - 
My imagination pleases,
Breaks into pieces, and incites me
To tearing apart the sheath.

It fits you so perfectly
Like it was made for you.
A cover to not really hide 
What you've got in store;
It blinds me, it binds me
To you more than ever, too;
I yearn to pull you to my side
And beg you for more.

That ghostly shroud that you use
To hold on to your modesty;
That pale white transparency, my muse -
Won't you shrug it off and come to me?

You move the transparent layer 
Over yourself, you wicked goddess,
Inch by delectable inch, revealing,
What you pretended to be concealing,
The beauteous form of you, god bless,
The body I worship, the body so fair.

What do you really fear, my love?
Show me at least a little of your face,
I'd quench my thirst by drinking it all in,
I'd live on the memory of your lovely countenance,
You, beautiful you, you rise above,
Intimidating me, yet you I want to embrace,
It's you I want to be with, with you I've been,
For you this burning need, this yearning penance.

You laugh out loud, like the thunder;
You wink at me, like a lightning streak;
Oh, woe is me, why are we asunder?
Light years apart, so to speak.

Darkness has fallen, my dear love,
And you blend with the dark, a dark form now,
Spanning the skies with your greatness,
You ask me to leave; can you see my distress?

I shall have to come back on the morrow,
Since I need to see you again;
Cupid has given me a delightful pain,
He's struck me with his poisoned arrow.

'Cause I'm in love now, with only you,
You with your naughty smile, and false modesty,
You with your transparent sheet; you,
The one behind my dreams, my only dream.

I'M NOT THERE


No chill wind could make me numb,
You've succeeded already.
No pain could break me faster,
Your words have done that before.
Nothing could ruin me anymore,
You've been there and done that.
So now anything you say will make no difference,
Since I'm not what I used to be;
You've killed the woman and created a monster,
Now deal with it; repent all you can, 
Drown in your regrets all you want,
Because I'm not there.

TIME


He dances this way and that,
Pulling at both her hands,
And forcing her to dance with him.
The merry dance waits for no man.
They do not listen to the band's playing.
Their dance is uncontrolled by the music.
They choose to dance slower or faster,
According to what their insides tell them.
I pause the pendulum in the foolish hope
That the clock would stop;
But time refuses to stand still.

I'D RATHER


I'd rather grow older day by day
And embrace sickness and pain,
Walk bravely forward, 
And meet my tomorrows,
Than look back at the path I've crossed,
Run away scared from evil,
Recall my sorrows,
Wonder what could have been,
Remember my regrets,
Relive my nightmares, 
Be rooted to the spot,
And be chained to my past
Through just a few good memories.

DARKNESS


I close my eyes, afraid of the dark,
And all I see is darkness.
I do not want to sleep, 
For fear the darkness will eat me up.
If I kept my eyes open, 
At least the merciful moon would pity me
And throw some scant light my way
To keep the darkness at bay.

THE MESSAGE


A thousand different ways I try to tell you.
A thousand words are born and dead
By the time our time together comes to a close.
My throat's constricted, my thoughts constipated.
I'm desperately seeking release
To my pent-up emotions, to my untold miseries.
I'm desperately looking for a way 
To express, to let you know, to convey.
And when I'm finally ready to speak,
You say - "We had a great time, didn't we?"
The words die, again,
Their loss a physical pain,
Their rebirth postponed indefinitely.
Will I ever be able to deliver my message?
When will you learn that I don't love you?

HONESTY


I'd rather lie to you pleasantly
Than hurt you like hell.
A thousand untruths I would tell
To make you feel happy.
Only, you'd rather be hurt,
Irreparably so, by me,
Than realize later that you'd been lied to.

Saturday, May 29, 2010

AN ENLIGHTENED EUPHORIA*


The fingers have been dancing,
Pressing the black and white in turns;
The sounds have been touching the ears
For quite some time now.
Pages and pages with squiggly notes
Drawn over ten horizontal lines
Have been torn and thrown away.
But nothing seems to dive deep within,
Right into the heart.
Nothing moves.
Nothing touches. 
Nothing enlightens.
Nothing makes sense.
Nothing sheds light.
Nothing creates realization.
The pages remain blank,
The keys undisturbed.
The lid is now closed.
Silence pervades. 
Silence takes over all.
Silence manipulates all.
Silence rules over all.
Silence dominates all.
Silence dictates all.
Silence becomes all.
Silence gives meaning
To life, to love, to everything.
Silence enlightens.
I am euphoric.
Music ebbs and flows around me,
Because silence is music.
If the silence conveys
A deeper, thorougher message,
Then I'd rather welcome her into my life,
Than live through the cacophony.

*Actually the name of a great tune composed by Nathan Johnson.

I WONDER


Fade away, dream,
Spoil me not for real life.
Go away, wishes,
You cause the illusions I don't need.
Don't come back, visions,
You make the truth look dull.
Your presence tortures, 
But your absence kills.
Which is better, I wonder?
Agony till my dying day,
Or death this very moment?
If I chose to suffer, I'd at least be living.
If I chose to die, I'd be here still -
But I would cease making sense.
No more songs, no more words.
I'd exist, but no longer live.
Who is to blame, then?

THE ESCAPIST


As a kid, I spent my time
Counting stars, writing rhymes,
Making friends, there was no end
To my smile.

As a kid, I walked by,
Happy and laughing, no goodbyes,
I didn't know pain, there was no stain
On my joy.

Growing up is not my cup of tea,
I'd rather stay little, why just me?
I'd rather make rhymes, all the time,
And not be fettered, just be free.

As a kid, I had time,
To have some fun, it was no crime
To laugh aloud, there was no dark cloud
Upon my head.

As a kid, I jumped up,
Life was fun, it wasn't tough,
Defying gravity, taking it easily,
Life was good.

Growing up is not my cup of tea,
I'd rather stay this way, let me be!
I'd rather sing, than feel the sting
Of troubles, pain and sorrow.

I'd rather live in my own dreams, 
When life's coming apart at the seams,
I'd rather not fall down into the mud;
Fall down from the skies, down with a thud. 

As a kid, I slept on,
Into the morning, the sun kept dawning
Everyday, just like always,
It wasn't dark.

As a kid, I lived my life
With no regrets; no cruel, sharp knife,
Driving into my heart, no unerring darts
Giving me pain.

Waking up is not what I like to do,
I'd rather keep dreaming on, than wake up soon,
And face the music; it just makes me sick,
The whole routine, the way life has been.

Growing up is not a piece of cake,
It's a decision to make, a huge step to take.
I'd rather be an escapist, though it's cowardice
To miss the present, and fear tomorrow.